O h to frolick in the fallen snow
to feel it cruch beneath my feet
to see the glistening whiteness roll
and feel the crisp chill on my cheek
walking in this winter wonderland
it’s damned hard walking in fresh snow
my feet are soaked and totally numb
snowblindness certainly is no joke
and this Bell’s Palsey really is no fun
this winter wasteland is a frozen hell
P hineas Morton is not a happy guy
that’s not to say he’s sad
he just decided long ago
not to live life on the extremes
so he would describe himself as
well
as centered
Phineas Morton is a centered guy
I’m Mortimore Magee
his best friend
and frequent visitor
Phineas lives
in the abandoned hull
of an old
yellow
school bus
which he’s fixed up to be ”just fine”
he assures ”lotta make-do, bit’a magic”
he was left there
by his parents
when he was 12
as they went off to find
well “to find happiness”
he bemoans
this situation may also account
for his less than enthusiastic embrace
of the whole concept of happiness
Phineas dreams of
someday doing something
well ”something interesting”
shunning the extreme nature
of great
he is not really interested
in doing something great
interesting will do just fine
Phineas has a girlfriend
well “sort of a girlfriend”
he says “more like a girl acquaintance
sounds less all in”
he explains
which suits his centeredness
just fine
her name is Flo
Flo Humpledorf
though she has come to spell it
P-h-l-o
as an expression
of her affinity for Phineas
you know
Phineas and Phlo
well anyway
Phineas wants everyone to know
that while he waits
for his interesting life to begin
he can be found ”out by ole’ Doc Patterson’s pond”
in his shell of a bus
“you’re more than welcome to come by”
he says
just between you and me
if you do
don’t act too happy
if you know what I mean
it doesn’t sit well with the lad
also
if you decide to come by
bring some jelly beans
red jelly beans
why
because I love red jelly beans
and I really am there a lot!
P lease permit me to present two concepts for your consideration. One is time, the other is keeping in the present moment — a place in which we seem relentlessly encouraged, cajoled, even badgered to remain. First of all, time is relative, a fleeting thing, constantly evolving. It is transitory and non-substantive.
So how does one keep in the present moment? As a general definition, “keep” means to hold, or maintain something in your possession or control. A moment is an ever-changing, elusive, arbitrary piece of this relative thing called time. So it would appear, given the ethereal, amorphous nature of time, that one cannot “keep” any aspect of time — one of which being a moment.
Therefore, with time being the core component of a moment, and time unable to be, by definition, “kept”, the logical deduction is that a moment, present or not, is therefore unable to be ‘kept’. Moments are a flow continuum, so ride it mindfully and alert. Besides, in the pursuit of things relative, fleeting, ethereal, and uncertain — love is a far more glorious pursuit than a “present moment”.
love is elusive
a mystery of the heart
a folly divine
L ifting myself quietly
from beneath the sheets
soaked with last night
I slump another nightmare
unfortunately
I’ve again awakened
another hard night
now
another shit day
I rise
make my way carefully
moving head down
shufflin’ to the bathroom
to wash my face
it’s reflected sallow
in the yellowed wash
of feeble incandescence
strange tired eyes
hold me in the mirror
broken as my spirit
eyes of knowing
eyes of disappoint
eyes of sadness
the look burns through me
weighing upon my being
I want to scream
but no one’s here to hear me
in this cluttered two-room flat
morning maintenance done
I grab a cold bagel
gather up my stuff
trudge out the front door
down the rickety wood stairs
into the oblivious streets
that echo my strangled dreams
I duck and dodge
in and out
of early morning shadows
past the garbage and graffiti
of these dirty bricken’d canyons
they vibrate with the rush and chaos
of synapse and sinew
the hum of networked urgency
data outdistancing comprehension
can — beyond the reach of — should
monoliths of human avarice
cold and indifferent
clad in stainless
stone
and such
a halogen and neon blaze
they surge with manipulation
and greed
in varying shape and differing size
they flank in concrete corridors
that criss and cross
blink and beep and ring
they buzz and hiss
and stink
thoughts flood in a torrent
souring my head
I’m now rushing
unseeing
seething with anger
and exasperation
when suddenly
I stumble
a crack in the sidewalk this fuckin’ city!
then I look down
startled
what the hell
a flower
really
no shit!
in that moment
flabbergasted
I unspring my tension
1.) “Crows Calling at Night” by: Li bai
Yellow clouds beside the walls; crows roosting near.
Flying back, they caw, caw; calling in the boughs.
In the loom she weaves brocade, the Qin river girl.
Made of emerald yarn like mist, the window hides her words.
She stops the shuttle, sorrowful, and thinks of the distant man.
She stays alone in the lonely room, her tears just like the rain.
2.) Reinterpretation of “Crows Calling at Night” by: Li bai Yellow clouds near the walls where crows are roosting.
They are cawing as they fly into gingko tree boughs.
The Qin river girl is creating brocade with her loom.
The emerald yarn is mist like, the window hides her words.
Sadly, she stops the shuttle, and thinks of her far off love.
She is lonely here in her room, her tears just like the rain.
_______________________________
3.) A fully original poem inspired by Li bai’s “Crows Calling at Night”
A Crystal Tear
Sun-gold clouds fade in dimming cerulean
a lone raven’s black eyes stare steadily
loudly cawing, he effortlessly alights
perched in the striking autumn yellow
of the ginkgo’s lovely fanned petals
a lonely woman works in deft rhythm
rich silk gleams taut in her drawloom
she carefully raises the brocade patterns
learned as a child in her Shanxi province
sure hands pull the fine emerald threads
prayer on her lips — she stares far off
a closed window holds fast her whispers
sadly she falls quiet — pauses the shuttle
thinking longingly of her distant lover
wondering — will their lips again touch
she sits alone — unmoving — head turned
a crystal tear falls like a first rain drop